Learn how to diagnose and replace a starter in your car or truck. In this video I show you the common causes of a car that doesn't turn over, and then I show you how to replace the starter along with many tips and tricks to make the job go easier and better. Starter I used: https://goo.gl/dpUUWI Mutltimeter: http://amzn.to/2ja4Axd Battery Load Tester: http://amzn.to/2ifhMRK Battery Charger: http://amzn.to/2iiD9wN Swivel Ratchet: http://amzn.to/2j9VGzQ Universal Joint Adapter: http://amzn.to/2iuiNnO Thread Locker: http://amzn.to/2jxRqXv Silicone Paste: http://amzn.to/2ja5Q3A Thank you AutoZone for the support and letting me film in the store. Here is more info about how to check your starting system: https://goo.gl/qfSiVF. They also will load test your battery for free. #HoodsUpAmerica → Become a ChrisFix Subscriber: http://www.youtube.com/subscription_center?add_user=paintballoo7 → Instagram: https://www.instagram.com/chrisfixit → Facebook: https://www.facebook.com/chrisfix8 → Website: http://www.ChrisFixed.com → My Channel Home Page: https://www.youtube.com/ChrisFix **If the video was helpful, remember to give it a "thumbs up" and consider subscribing. New videos every Week** Disclaimer: Due to factors beyond the control of ChrisFix, I cannot guarantee against improper use or unauthorized modifications of this information. ChrisFix assumes no liability for property damage or injury incurred as a result of any of the information contained in this video. Use this information at your own risk. ChrisFix recommends safe practices when working on vehicles and or with tools seen or implied in this video. Due to factors beyond the control of ChrisFix, no information contained in this video shall create any expressed or implied warranty or guarantee of any particular result. Any injury, damage, or loss that may result from improper use of these tools, equipment, or from the information contained in this video is the sole responsibility of the user and not ChrisFix. This video was supported by AutoZone and all opinions are mine. I commonly go to AutoZone for parts and products so this was a great fit!
Views: 2435365 ChrisFix
Charting the rise of hip hop's favorite condiment. Check out the Vox.com interactive: http://bit.ly/2dKLFF0 Spotify Playlist: https://open.spotify.com/user/estellecaswell/playlist/4dZg2ipihvayBI9TlJnNJ6 Subscribe to our channel! http://goo.gl/0bsAjO Video by Estelle Caswell Featuring Lee Garfinkel and Open Mike Eagle Special thanks to James Mulry for the boombox: http://jamesmulry.com/ Vox.com is a news website that helps you cut through the noise and understand what's really driving the events in the headlines. Check out http://www.vox.com to get up to speed on everything from Kurdistan to the Kim Kardashian app. Check out our full video catalog: http://goo.gl/IZONyE Follow Vox on Twitter: http://goo.gl/XFrZ5H Or on Facebook: http://goo.gl/U2g06o
Views: 2578068 Vox
--- --- --- --- --- --- --- --- --- --- --- This video has been uploaded under fair dealing pursuant to the Copyright Act 1968, 103A. Fair dealing for purpose of criticism or review 103AA. Fair dealing for purpose of parody or satire 103B. Fair dealing for purpose of reporting news 103C. Fair dealing for purpose of research or study If the copyright holder of the material would like this video to be removed on financial loss grounds please message me and I will be happy to do so. The full list of provisions is set out as follows: (1) A fair dealing with a literary, dramatic, musical or artistic work, or with an adaptation of a literary, dramatic or musical work, for the purpose of research or study does not constitute an infringement of the copyright in the work. (1A) A fair dealing with a literary work (other than lecture notes) does not constitute an infringement of the copyright in the work if it is for the purpose of, or associated with, an approved course of study or research by an enrolled external student of an educational institution. (1B) In subsection (1A) the expression lecture notes means any literary work produced for the purpose of the course of study or research by a person lecturing or teaching in or in connection with the course of study or research. (2) For the purposes of this Act, the matters to which regard shall be had, in determining whether a dealing with a literary, dramatic, musical or artistic work or with an adaptation of a literary, dramatic or musical work, being a dealing by way of reproducing the whole or a part of the work or adaptation, constitutes a fair dealing with the work or adaptation for the purpose of research or study include: (a) the purpose and character of the dealing; (b) the nature of the work or adaptation; (c) the possibility of obtaining the work or adaptation within a reasonable time at an ordinary commercial price (d) the effect of the dealing upon the potential market for, or value of, the work or adaptation; and (e) in a case where part only of the work or adaptation is reproduced--the amount and substantiality of the part copied taken in relation to the whole work or adaptation. (3) Despite subsection (2), a reproduction, for the purpose of research or study, of all or part of a literary, dramatic or musical work, or of an adaptation of such a work, contained in an article in a periodical publication is taken to be a fair dealing with the work or adaptation for the purpose of research or study. (4) Subsection (3) does not apply if another article in the publication is also reproduced for the purpose of different research or a different course of study. (5) Despite subsection (2), a reproduction, for the purpose of research or study, of not more than a reasonable portion of a work or adaptation that is described in an item of the table and is not contained in an article in a periodical publication is taken to be a fair dealing with the work or adaptation for the purpose of research or study. For this purpose, reasonable portion means the amount described in the item. (6) Subsection (5) applies to a reproduction of a work or adaptation described in both items of the table in that subsection even if the amount of the work or adaptation reproduced is not more than a reasonable portion (as defined in that subsection) on the basis of only one of those items (7) If: (a) a person makes a reproduction of a part of a published literary or dramatic work or published adaptation of a literary or dramatic work; and (b) the reproduction is of not more than a reasonable portion (as defined in subsection (5)) of the work or adaptation; subsection (5) does not apply in relation to any subsequent reproduction made by the person of any other part of the same work or adaptation. (8) Subsections 10(2), (2A), (2B) and (2C) do not affect subsection (5), (6) or (7) of this section.
Views: 1047 Televite
Director Brian FitzGerald on "Decade of Thunder": "Ever since I moved to Wichita, Kansas in 1980 I noticed a great love for the American Automobile here. It was an interesting discovery for me to be at a business lunch one day back in the 80's and to be introduced to Daryll Starbird the Auto Show Magnate. I learned in that meeting that his headquarters was in the Wichita metro area. I remember his traveling exhibitions back in the 60's when I lived in California. I saw them again in other states I lived as our family traveled about the country from Air Base to Air Base. After moving to Kansas I was amazed to find out that one of the great entrepreneurs of the Custom Car business was from my new home area Wichita. I had always thought he was a Californian. About that time I started going to car shows and developed the opinion that the creations I marveled at these shows were art works of a high order. I decided that, notwithstanding the beauty and value of the traditional sculptures one finds in a museum, the "arts community" had completely missed the boat by not recognizing the wonderful quality of craftsmanship and pure artistry found in the work of innumerable car crafters. I took a lot of 35mm still shots of these motive sculptures back then but had no venue for showing them. I had not yet acquired the equipment I need for producing movies. In the back of my mind, though, I was developing a plan... Toward the end of the eighties I was producing my first documentaries about my own personal favorite sport - Ultralight Flying. I love making movies and I love flying so that was a 'natural'. After making a number of movies about that type of flying I determined to branch out. I remembered my earlier impressions of the great artistry shown in the work of the car crafters I had talked with at all the car shows I had been to. It was another 'natural'. I decided to make my first Automobile Documentary about the American Muscle Car. This genre of car represents so much of what appeals to me about the America I grew up in and to a great extent still exists today. Power. Technology. Sleekness. Competition. Speed. Personality. Adventure. The idea of 'No Limits' & 'No Fear'. This is the America that isn't afraid to take on the tired, old ideas of the old world and run them down. Expressive NOT Introspective. The Beach Boys used to sing about these cars as did Jan & Dean and a host of others. I learned to play the guitar by lifting licks from The Ventures and their songs about cars and surfing during this time period. After doing some research, I discovered that the Muscle Car phenomenon basically came and went during a 10 year period between 1963 and 1973. That 10 Year Span makes a decade and the idea for the movie title was made manifest. In order to give focus to this piece, all 5 cars featured fit in that 10 year window, have 400+ cubic inches of engine, are more or less 'Original' as to their restoration and are All American. In "Decade of Thunder" you will meet Bob Murguia and his '68 Hemi Roadrunner; Guy Lamoreau and his '70 Corvette 454; Rick Plush and his '70 Chevelle SS 454; Butch Dysart and his '67 Impala SS 427; and Earl Lauer and his '69 Shelby Mustang 428. Muscle Cars ALL! In addition are three music videos to provide the flavor of just a few of the many Hot Rod and Custom Car events that occur every season in Kansas."
Views: 306250 Brian FitzGerald