Home
Search results “Giants reef mining journal obituaries”
All Hands on Deck 2018 - Day 1
 
04:25:14
Chapter 1 0:04 - Welcome Chapter 2 13:03 - Keynote Address, Neil Jacobs, National Oceanic & Atmospheric Administration Chapter 3 47:11 - PLAY, Sparking curiosity in the ocean through games and recreation Chapter 4 1:29:04 IMAGINE, Imagining a bright, optimistic future for the ocean Chapter 5 2:13:22 - IMMERSE, Bringing people to the ocean and the ocean to people Chapter 6 2:58:35- Artist-at-Sea Program Update Chapter 7 3:08:37 - Lightning Talks Chapter 8 3:43:15 - Workshops 1A Chapter 9 3:59:29 - Workshops 1B Chapter 10 4:05:57 - Exploration Updates To fully explore and understand the ocean, we can no longer rely on a handful of large, expensive research vessels and vehicles. We truly need "all hands on deck" to do it. On November 8-9, 2018, we brought together leaders and changemakers in ocean exploration, entertainment, recreation, and art to imagine new ways to empower an open, inclusive global community of ocean explorers. Our goal is to imagine creative ways to make the ocean so pervasive in modern culture that everyone has a positive association with and understanding of the sea. More information at: https://www.media.mit.edu/events/allhandsondeck/ License: CC-BY-4.0 (https://creativecommons.org/licenses/by-nc/4.0/)
Views: 1075 MIT Media Lab
Frontiers in One Health - Understanding the Ecology of Emerging Diseases in Wildlife and People
 
49:34
April 27th, 2011 Frontiers in One Health - 'Bats, frogs, and Fungi: Understanding the Ecology of Emerging Diseases in Wildlife and People' Dr. Daszak, P.H.D., President of EcoHealth Alliance and renowned disease ecologist, discusses the rise in emerging infectious diseases that originate in wildlife. He explains how these epidemics may impact species survival, ecological integrity, and global health and explores the collective roles that wildlife trade, global travel, population growth, and land-use change may play in influencing pathogen emergence and transmission.
Views: 2112 UC Davis Vet Med
Ms. Kathy And The Fam | Tube Life S01 * E19  on Puša Studios
 
03:26:36
The lady that keeps us all in line, reads to us, jokes with us and tonight shares with us and will also feature for the first time on a stream some more of the family peeps! Which ones you ask, join to find out! 👇 ❓❔Drop a question for our guests in a chat! 📌Tonight our guest is Ms.Kathy And The Fam: https://www.youtube.com/channel/UCUg6YwEp9vtrA0juqVgdt5A https://twitter.com/MsKathyreads Jessie's college fund donations: https://www.paypal.com/pools/c/83Ovvar8pF About Puša Studios: We are a husband-wife team based out of Montreal Canada specializing in affordable, high-quality photography/videography + post-production and coloring for all social occasions, cooperate and B-roll. Plus, We have Introduced our new Puša live streams, a great way to meet youtubers just like you, learn about them, meet lots of great supportive people in the chat and gain some great tips and tricks on shooting, editing and post and how to grow on the platform. Cheers and Keep creating! Get in touch with us! Email: [email protected] Twitter: https://twitter.com/pusastudios Facebook: https://www.facebook.com/pusastudios/ YouTube: https://www.youtube.com/c/pusastudios Instagram: https://www.instagram.com/pusastudios/ Pinterest: https://www.pinterest.ca/pusastudios/ #LiveWithPusa #bluewrenchgroup
Views: 350 Pusa Studios
Calling All Cars: The Long-Bladed Knife / Murder with Mushrooms / The Pink-Nosed Pig
 
01:28:22
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 113187 Remember This
Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
 
12:23
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling "Bravo!" in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.) Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality. Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely. And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)
Views: 197484 Shari Wing